Tag Archives: Wicca

Panel Discussion 28/10/21 at the Museum of the Home in London — ‘Home Truths: Keeping a Magical Home’

I’m chairing a panel discussion this Thursday 28/10 7pm with Sim Gray of #ZeroFoolsTarot @zero_foolstarot; Raqia Nur #witchcraft historian @raqianur; Alex David, practicing witch @burningbayleaves; Brooke Palmieri #CampBooks @camp.books for the @MuseumoftheHome #HomeTruths ‘Keeping a Magical Home’ — and there will be mulled wine! 🍷

October is a time to prepare the home for the coming winter, to lay down stores and tend to our inner life and Halloween marks the beginning of these preparations.

Join us as we discover how contemporary magical practitioners prepare their homes for Winter. 

Enjoy a glass of mulled wine as we learn from the lived experiences of several contemporary practitioners who offer unique perspectives on their private rituals for safety, warmth, and protection in their magical homes. 


Virtual Talk: Hail the Highgate Vampire! Goth kids, Cemeteries & the Search for the Secular Sublime’

I’ll be giving a virtual talk Sun 27 Sept 10pm BST for the #RuralGothic conference. There will be lots of amazing speakers over the course of two days! All for a tenner!

My talk closes out the conference:
‘Hail the Highgate Vampire! Goth kids, cemeteries, and the search for the secular sublime’
Through repetition and shared community lineage rituals become codified in society. The lines between acceptable and unacceptable ritual tend to follow the law of established shared-heritage practices going unquestioned, winning validity over recently invented rites. From media-hungry occultists battling it out with mock satanists in Highgate Cemetery in the 1970s to 21st-century wiccan white witches in Abney Park cemetery today, older sites of ritual continue to draw new practices. Our Victorian garden cemeteries offer the pull of an historical site with the aesthetics to match. From their crumbling chapels to their Egyptian follies, new rites fit into the old ways. This talk will take you on a journey through alternative meanings of space as practitioners search for the secular sublime.

Witch Bottles & Hidden Curses: Objects of Protection; Objects of Vengeance 

By Romany Reagan

Written accounts of witchcraft, witch trials, cunning folk, and folk magic were largely recorded by the Church, with all the prejudices associated with a one-sided narrative. Given these practices were handed down generation to generation through oral histories as a form of intangible heritage, only the Church’s ‘official’ version of these practices has traditionally survived as our record. Luckily for researchers, instructions for creating witch bottles were written down and tangible items such a old shoes and written curses were tucked into walls kept safe from destruction in their hidden places. Stepping away from the ‘official’ texts to these scraps and personal finds can help us learn from another perspective about these practices, offering a fascinating look at the fears—and sometimes wrathful vengeances—secreted away in hearths and walls by our ancestors.

The following is an excerpt from a talk I gave at the Museum of the Home (formerly the Geffrye Museum) in November 2019, ‘Witch Bottles & Worn Shoes: Home Protection Folklore Practices’.

Continue reading Witch Bottles & Hidden Curses: Objects of Protection; Objects of Vengeance 

Lord of the Dead, Fairy Cavalcade, Psychopomp: The Mysterious Origins of the Wild Hunt & Its Many Faces in Popular Culture

By Romany Reagan

They both turned to stare as the clouds directly above them parted. A shadow grew in the air, darkening as it neared them: the figure of a man, massive and bound in armour, bareback on a red-eyed, foaming brindle horse—black and gray, like the storm clouds overhead. The horse came to a neighing, pawing stop at the foot of the Institute steps. The man looked up at them. His eyes were two different colours, blue and black. His face was terrifyingly familiar. It was Gwyn ap Nudd, the lord and leader of the Wild Hunt. And he did not look pleased.

Lord of Shadows, The Dark Artifices, Cassandra Clare 

Wild Hunt. It crosses our path at scarily unpredictable intervals, often through the sky and nearly always at night. It is very numinous and also doom-laden. Otherwise, no one knows quite what to make of it.

— Diana Wynne Jones, The Tough Guide to Fantasyland

Numinous & Doom-Laden

I have a guilty secret. At least, that’s what I’m supposed to say before such an admission: I love young adult fantasy novels. Someone with a PhD isn’t supposed to admit that, but what does ‘supposed to’ even mean? According to whom? One of the joys of getting a PhD—I kid you not—was feeling I could finally proclaim my love of pop novels and no one could make fun of me! But then you get this degree and you feel you have to Uphold the Code, or something… 

Well, no more. Hello world, I love young adult and magical fantasy novels! I’ve been known to take a break from my high-brow bookshelf to devour Cassandra Clare’s six-book Mortal Instruments AND Dark Artifices series in a go. I even loved all four Twilight books. I know, it’s madness. It’s like having an industrial goth fiancé who likes Dire Straits. 

But I’m not the only one. These books are international best-selling series, so there must be something they’re doing right. Some sort of cultural zeitgeist they capture or inner thrill they ignite in many people. 

In this post I focus my academic eye on analysing one aspect of the pop novel trope—the repurposing of the Wild Hunt myth for new generations. This piece investigates the evolution of the Wild Hunt myth (which features prominently in Clare’s Mortal Instruments and Dark Artifices series, led by Gwyn ap Nudd) from its mysterious multiple origins and how it has evolved over time to stay with us, re-emerging with new relevance in pop novels and video games.

Continue reading Lord of the Dead, Fairy Cavalcade, Psychopomp: The Mysterious Origins of the Wild Hunt & Its Many Faces in Popular Culture